This was expected. There was a major shake-up in regards to Sight and Sound’s prestigious poll. For the betterment of society, we now have a female director taking the top spot: Chantal Ackerman’s “Jeanne Dielman” — a great movie that shouldn’t even be flirting with the likes of “Vertigo,” “Citizen Kane” “Tokyo Story” and “2001: A Space Odyssey.” Also, for the betterment of society, Barry Jenkins’ “Moonlight” (#60), Jordan Peele’s “Get Out” (#95), and Celine Sciamma’s “Portrait of a Lady on Fire” (#30) have all three magically entered the top 100 of this once-prestigious list. Other new entries include Agnes Vardas’ “The Gleaners and I” (#67), Apichatpong Weerasethakul‘s “Tropical Malady” (#95), Bong Joon-ho’s “Parasite” (#90), Wong Kar-Wai’s “Chungking Express” (#88), and Harappa Miyazaki’s “Spirited Away” (#75). The Critics’ Top 100 Greatest Films of All Time

  1. “Jeanne Dielman, 23, quai du Commerce, 1080 Bruxel” (Chantal Akerman, 1975)2. “Vertigo” (Alfred Hitchcock, 1958)3. “Citizen Kane” (Orson Welles, 1941)4. “Tokyo Story” (Ozu Yasujiro, 1953)5. “In the Mood for Love, Wong Kar-wai, 2001)6. “2001: A Space Odyssey” (Stanley Kubrick, 1968)7. “Beau travail” (Claire Denis, 1998)8. “Mulholland Dr.” (David Lynch, 2001)9. “Man with a Movie Camera” (Dziga Vertov, 1929)10. “Singin’ in the Rain” (Stanley Donen and Gene Kelly, 1951)11. “Sunrise: A Song of Two Humans” (F.W. Murnau, 1927)12. “The Godfather” (Francis Ford Coppola, 1972)13. “La Règle du Jeu” (Jean Renoir, 1939)14. “Cléo from 5 to 7” (Agnès Varda, 1962)15. “The Searchers” (John Ford, 1956)16. “Meshes of the Afternoon” (Maya Deren and Alexander Hammid, 1943)17. “Close-Up” (Abbas Kiarostami, 1989)18. “Persona” (Ingmar Bergman, 1966)19. “Apocalypse Now” (Francis Ford Coppola, 1979)20. “Seven Samurai” (Akira Kurosawa, 1954)21. (TIE) “The Passion of Joan of Arc” (Carl Theodor Dreyer, 1927)21. (TIE) “Late Spring” (Ozu Yasujiro, 1949)23. “Playtime” (Jacques Tati, 1967)24. “Do the Right Thing” (Spike Lee, 1989)25. “Au Hasard Balthazar” (Robert Bresson, 1966)25. The Night of the Hunter” (Charles Laughton, 1955)27. “Shoah” (Claude Lanzmann, 1985)28. “Daisies” (Věra Chytilová, 1966)29. “Taxi Driver” (Martin Scorsese, 1976)30. “Portrait of a Lady on Fire” (Céline Sciamma, 2019)31. “Mirror” (Andrei Tarkovsky, 1975)31. “8½” (Federico Fellini, 1963)31. “Psycho” (Alfred Hitchcock, 1960)34. “L’Atalante” (Jean Vigo, 1934)35. “Pather Panchali” (Satyajit Ray, 1955)36. “City Lights” (Charlie Chaplin, 1931)36. “M” (Fritz Lang, 1931)38. “À bout de souffle” (Jean-Luc Godard, 1960)38. “Some Like It Hot” (Billy Wilder, 1959)38. “Rear Window” (Alfred Hitchcock, 1954)41. “Bicycle Thieves” (Vittorio De Sica, 1948)41. “Rashomon” (Akira Kurosawa, 1950)43. “Stalker” (Andrei Tarkovsky, 1979)43. “Killer of Sheep” (Charles Burnett, 1977)45. “North by Northwest” (Alfred Hitchcock, 1959)45. “The Battle of Algiers” (Gillo Pontecorvo, 1966)45. “Barry Lyndon” (Stanley Kubrick, 1975)48. “Wanda” (Barbara Loden, 1970)48. “Ordet” (Carl Theodor Dreyer, 1955)50. “The 400 Blows” (François Truffaut, 1959)50. “The Piano” (Jane Campion, 1992)52. “News from Home” (Chantal Akerman, 1976)52. “Fear Eats the Soul” (Rainer Werner Fassbinder, 1974)54. “The Apartment” (Billy Wilder, 1960)54. “Battleship Potemkin” (Sergei Eisenstein, 1925)54. “Sherlock Jr.” (Buster Keaton, 1924)54. “Le Mépris” (Jean-Luc Godard 1963)54. “Blade Runner” (Ridley Scott 1982)59. “Sans soleil” (Chris Marker 1982)60. “Daughters of the Dust” (Julie Dash 1991)60. “La dolce vita” (Federico Fellini 1960)60. “Moonlight” (Barry Jenkins 2016)63. “Casablanca” (Michael Curtiz 1942)63. “GoodFellas” (Martin Scorsese 1990)63. “The Third Man” (Carol Reed 1949)66. “Touki Bouki (Djibril Diop Mambéty 1973)67. “The Gleaners and I” (Agnès Varda 2000)67. “Metropolis” (Fritz Lang 1927)67. “Andrei Rublev” (Andrei Tarkovsky 1966)67. “The Red Shoes” (Michael Powell & Emeric Pressburger 1948)67. “La Jetée” (Chris Marker 1962)72. “My Neighbour Totoro” (Miyazaki Hayao 1988)72. “Journey to Italy” (Roberto Rossellini 1954)72. “L’avventura” (Michelangelo Antonioni 1960)75. “Imitation of Life” (Douglas Sirk 1959)75. “Sansho the Bailiff” (Mizoguchi Kenji 1954)75. “Spirited Away” (Miyazaki Hayao 2001)78. “A Brighter Summer Day” (Edward Yang 1991)78. “Sátántangó” (Béla Tarr 1994)78. “Céline and Julie Go Boating” (Jacques Rivette 1974)78. “Modern Times “(Charlie Chaplin 1936)78. “Sunset Blvd.” (Billy Wilder 1950)78. “A Matter of Life and Death” (Michael Powell & Emeric Pressburger 1946)84. “Blue Velvet” (David Lynch 1986)84. “Pierrot le fou” (Jean-Luc Godard 1965)84. “Histoire(s) du cinéma” (Jean-Luc Godard 1988-1998)84. “The Spirit of the Beehive” (Victor Erice, 1973)88. “The Shining” (Stanley Kubrick, 1980)88. “Chungking Express” (Wong Kar Wai, 1994)90. “Madame de…” (Max Ophüls, 1953)90. “The Leopard” (Luchino Visconti, 1962)90. “Ugetsu” (Mizoguchi Kenji, 1953)90. “Parasite” (Bong Joon Ho, 2019)90. “Yi Yi” (Edward Yang, 1999)95. “A Man Escaped” (Robert Bresson, 1956)95. “The General” (Buster Keaton, 1926)95. “Once upon a Time in the West” (Sergio Leone, 1968)95. “Get Out” (Jordan Peele, 2017)95. “Black Girl” (Ousmane Sembène, 1965)95. “Tropical Malady” (Apichatpong Weerasethakul, 2004) EARLIER: Today is the day. At around 1pm ET we’ll be getting the results of the once-in-a-decade Sight and Sound Poll, which has now gone from having 800 voters to more than 1600 (many, no doubt, aiming for social equity with their picks). God have mercy on us all. Contribute Hire me

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